Top Gun: Maverick director Joseph Kosinski has been arduous at paintings completing up post-production at the large funds sequel, which is recently on target for a December unlock. In an unique Comic-Con@Home panel with fellow administrators Colin Trevorrow and Robert Rodriguez, hosted via Collider, he teased some information about the predicted movie, in particular how new era allowed him to perform many more effective photographs than would have normally been imaginable.
“The technology that allows filmmaking to be more practical is the stuff I get most excited about. On Top Gun, we worked with Sony to develop an IMAX quality camera that’s about this big. [gestures] And only like 2 inches deep. So we were able to mount six of them inside the cockpit, and four on the outside of the airplane. So in that case, we’re using technology to capture something real, rather than having to create it on a soundstage. So that, for me, was one of the things that I was excited about in jumping into the project in the first place.”
For all you tech geeks, Kosinski broke down the development of the Sony Venice cameras used by the manufacturing, and I’ve to confess that it’s lovely interesting even for any individual who doesn’t know a lot about tools.
“It’s a 6K camera. So 6,000 pixels wide. It’s a large format sensor, which is bigger than a 35mm sensor. It’s like Cinemascope, I think is the comparable film size. The real technology breakthrough is that the sensor can be separated from the recorder. When you’re looking at a digital camera, the only thing capturing the image is that first inch of the camera. Everything behind that is power and recording and cooling. So this Sony camera, which is called the Sony Venice, you can buy a version where those two pieces are connected via some fiber optic cable. So the sensor, with a very small lens, can sit in a very tight place, or right in front of the actor. We had four of them pointing at the actor on Top Gun, and the recorders could be hidden in storage spaces on the jet. So you’re able to put something that normally you’d only be able to fit a GoPro there, now you’re able to put an IMAX quality camera in that spot. And in this case six of them, so we have multi-camera coverage of these sequences that you can cut a whole scene just by working with those six angles. That, to me, was our technology breakthrough on this movie. It’s just a really fun way to work, when you’re getting it all in-camera.”
Yep, the ones exciting photographs of Tom Cruise within the cockpit of his fighter jet, setting out from the deck of an airplane provider, had been filmed in an actual jet with an actual Tom Cruise. (At this level, we’d be expecting not anything much less of the person.) And Kosinski guarantees the remainder of the film shall be simply as thrilling, and simply as high-octane as the unique.
“We made an old school movie using kind of the latest technology. It’s definitely a Top Gun movie, and I can’t wait to show it to people.”
You can watch what he needed to say in regards to the new cameras underneath.
For extra from our Comic-Con@Home panel with Trevorrow, Rodriguez and Kosinski, click on right here.